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ÇÑ/¿µ(µ¶•ºÒ•ÀÌ) À½¾Ç¿ë¾î ¸ñ·Ï |
À½¾ÇÇü½Ä (Musical Forms) |
ÀÛ¼º : ¾È ¼Ò ¿µ |
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¿ë¾î¸¦ °Ë»öÇÒ ¼ö ÀÖ½À´Ï´Ù.
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F¸¦ ´©¸¥ ÈÄ, °Ë»öÇÒ ´Ü¾î(ÇÑ±Û È¤Àº ¿µ¾î)¸¦ ÀÔ·ÂÇÏ½Ã¸é µË´Ï´Ù.
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¿µ¾î¿ë¾î |
Çѱ۹ø¿ª¿ë¾î |
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A |
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antecedent phrase |
¼±Ç౸ |
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articulation |
¾ÆÆ¼Å§·¹ÀÌ¼Ç |
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authentic cadence |
Á¤°ÝÁ¾Áö |
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B |
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basic idea |
±âÃʾǻó Á¤ÀÇ : |
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C |
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cadential |
Á¾Áö(Àû) |
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cadential arrival |
Á¾ÁöÀû µµ´Þ |
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cadential expansion |
Á¾ÁöÀû È®Àå |
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cadential function |
Á¾ÁöÀû ±â´É |
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cadential phrase |
Á¾Áö±¸ |
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cadential progression |
Á¾ÁöÀû (ȼº)ÁøÇà |
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characteristic
melody |
Ư¡Àû ¼±À² |
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characteristic
motive |
Ư¡Àû ¸ðƼºê |
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closing gesture |
Á¾°áÁ¦½ºÃÄ |
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closing section |
Á¾°áºÎ |
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codetta |
ÄÚµ¥Å¸ |
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complete cadential
progression |
¿ÏÀüÁ¾ÁöÁøÇà |
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compound basic idea |
º¹ÇÕ±âÃʾǻó Á¤ÀÇ : ???? (Caplin) |
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compound theme |
º¹ÇÕÁÖÁ¦Çü Á¤ÀÇ : ???? (Caplin) |
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compressed continuation |
¾ÐÃàµÈ Àü°³±¸ |
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compressed recapitulation |
¾ÐÃàµÈ ÀçÇöºÎ |
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consequent phrase |
Èļӱ¸ |
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continuation ¢¡cadential |
Àü°³ ¢¡ Á¾Áö Á¤ÀÇ : ???? (Caplin) |
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continuation |
Àü°³ |
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continuation
function |
Àü°³±â´É Á¤ÀÇ : ???? (Caplin) |
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continuation phrase |
Àü°³±¸ Á¤ÀÇ : ???? (Caplin) |
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contrasting idea |
´ëÁ¶¾Ç»ó |
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contrasting middle |
´ëÁ¶Àû Á߾ӺΠÁ¤ÀÇ : ???? (Caplin) |
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conventional melody |
ÀüÅëÀû ¼±À² |
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conventional motive |
ÀüÅëÀû ¸ðƼºê |
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D |
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dominant
arrival |
µþ¸²ÈÀ½ÀÇ µµ´Þ Á¤ÀÇ : ???? (Caplin) |
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durational value |
À½°¡ |
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E |
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elide |
»ý·« |
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elision |
»ý·« |
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elided cadence |
»ý·«Á¾Áö |
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evaded cadence |
ȸÇÇÁ¾Áö |
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exact repetition |
ÁøÁ¤¹Ýº¹ Á¤ÀÇ : ???? (Caplin) |
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expanded recapitulation |
È®ÀåµÈ ÀçÇöºÎ |
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expansion |
È®Àå |
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exposition |
Á¦½ÃºÎ |
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extension |
¿¬Àå |
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F |
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formal function |
Çü½ÄÀû ¿ä¼Ò |
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fragment |
´ÜÆí |
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fragmentation |
´ÜÆíÈ |
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fragmented unit |
´ÜÆíÈµÈ ´ÜÀ§ |
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G |
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grouping |
±×·ìÇÎ |
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grouping structure |
±×·ìÇα¸Á¶ |
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H |
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Half Cadence
(HC) |
¹ÝÁ¾Áö |
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harmonic acceleration |
ȼºÀû °¡¼ÓÈ |
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harmonic activity |
ȼºÈ°µ¿ |
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harmonic rhythm |
ȼº¸®µë |
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harmonic sequence |
ȼºÀû µ¿ÇüÁøÇà |
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highter-level unit |
»óÀ§Ãþ ´ÜÀ§ |
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hybrid theme |
È¥¿ëÁÖÁ¦Çü Á¤ÀÇ : ???? (Caplin) |
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I |
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idea unit |
¾Ç»ó´ÜÀ§ |
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Imperfect
Authentic Cadence (IAC) |
ºÒ¿ÏÀüÁ¤°ÝÁ¾Áö |
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incomplete cadential
progression |
ºÒ¿ÏÀüÁ¾ÁöÁøÇà |
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interpolation |
»ðÀÔ |
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intervallic content |
À½Á¤³»¿ë |
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intrathematic function |
³»ºÎÁ¾ÁöÀû ±â´É |
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introduction |
µµÀԺΠ|
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J |
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K |
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L |
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lead-in |
¿¬°á±¸ |
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leap |
µµ¾àÁøÇà |
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level of the idea unit |
¾Ç»ó´ÜÀ§ÀÇ Ãþ |
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liquidation |
(¼±À²Àû/¸ðƼºêÀû) Á¦°Å |
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loose organization |
´À½¼ÇÑ ±¸Á¶(??) Á¤ÀÇ : ???? (Caplin) |
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lower-level unit |
ÇÏÀ§Ãþ´ÜÀ§ |
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M |
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main theme |
Á¦1ÁÖÁ¦ |
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melodic closing down |
¼±À²Àû ¡°´ÝÈû¡± |
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melodic contour |
¼±À²À±°û |
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melodic opening up |
¼±À²Àû ¡°¿¸²¡± |
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model form |
(ÁÖÁ¦ÀÇ) ¸ðÇü |
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model sequential technique |
µ¿Çü±â¹ý |
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modulating period |
Á¶¹Ù²Þ¾ÇÀý |
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modulating sentence |
Á¶¹Ù²Þ¼¾ÅÙ½º |
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motive |
¸ðƼºê |
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motivic connection |
µ¿±âÀû °ü·Ã¼º |
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multiple thematic unit |
´ÙÁßÁÖÁ¦´ÜÀ§ Á¤ÀÇ : ???? (Caplin) |
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N |
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notated measure |
±âº¸µÈ ¸¶µð |
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O |
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P |
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Perfect
Authentic Cadence (PAC) |
¿ÏÀüÁ¤°ÝÁ¾Áö |
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period |
¾ÇÀý |
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phrase |
¾Ç±¸ |
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pitch closure |
À½°íÀÇ Á¾°á |
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postcadential function |
Á¾ÁöÈĺÎÀû±â´É Á¤ÀÇ : ???? (Caplin) |
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postcadential standing on the dominant |
Á¾ÁöÈĺÎÀû µþ¸²ÈÀ½ÀÇ Áö¼Ó Á¤ÀÇ : ???? (Caplin) |
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premature dominant arrival |
½Ã±â»óÁ¶ÀÇ µþ¸²ÈÀ½ÀÇ µµ´Þ Á¤ÀÇ : ???? (Caplin) |
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presentation |
Áø¼ú |
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presentation function |
Áø¼ú±â´É Á¤ÀÇ : ???? (Caplin) |
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presentation phrase |
Áø¼ú±¸ Á¤ÀÇ : ???? (Caplin) |
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prolongational progression |
¿¬ÀåÀû ÁøÇà |
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Q |
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R |
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real measure |
½ÇÁ¦¸¶µð |
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recapitulation |
ÀçÇöºÎ |
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repetition |
¹Ýº¹ |
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retransition |
Àç°æ°úºÎ |
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rhythmic activity |
¸®µëȰµ¿ |
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rounded binary form |
¼øÈ¯2ºÎºÐÇü½Ä |
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S |
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segment |
ºÐÀý |
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sentence |
¼¾ÅÙ½º Á¤ÀÇ : ???? (Caplin) |
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sequential harmony |
µ¿ÇüÀû ȼº |
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sequential progression |
µ¿ÇüÀû ÁøÇà |
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sequential repetition |
µ¿ÇüÀû ¹Ýº¹ |
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sequential restatement |
µ¿ÇüÀû ÀçÁø¼ú |
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single phrase |
´ÜÀϾDZ¸ |
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small binary |
2ºÎºÐÁÖÁ¦Çü½Ä Á¤ÀÇ : ???? (Caplin) |
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smally ternary |
3ºÎºÐÁÖÁ¦Çü½Ä Á¤ÀÇ : ???? (Caplin) |
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standing on the dominant |
µþ¸²ÈÀ½ÀÇ Áö¼Ó Á¤ÀÇ : ???? (Caplin) |
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statement-response repetition |
Áø¼ú-ÀÀ´äÇü ¹Ýº¹ Á¤ÀÇ : ???? (Caplin) |
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step |
(¼±À²Àû) ¼øÂ÷ÁøÇà |
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subordinate key |
°ü°èÁ¶ |
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subordinate theme |
Á¦2ÁÖÁ¦ |
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symmetrical organization |
´ëĪÀû ±¸Á¶ |
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syntax |
(À½¾ÇÀû) ±¸¹®·Ð |
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T |
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Theme |
ÁÖÁ¦ |
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tight-knit organization |
Á¤ÇüÈµÈ ±¸Á¶(?) Á¤ÀÇ : ???? (Caplin) |
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tonal adjustment |
Á¶¼ºÀû Á¶Á¤ |
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tonic prolongation |
À¸¶äÈÀ½ÀÇ ¿¬Àå |
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transition |
°æ°ú±¸ |
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U |
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V |
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W |
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X |
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Y |
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Z |
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