ÇÑ/¿µ(µ¶•ºÒ•ÀÌ)

À½¾Ç¿ë¾î ¸ñ·Ï

À½¾ÇÇü½Ä

(Musical Forms)

ÀÛ¼º : ¾È ¼Ò ¿µ

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¿µ¾î¿ë¾î

Çѱ۹ø¿ª¿ë¾î

A

 

antecedent phrase

¼±Ç౸

articulation

¾ÆÆ¼Å§·¹À̼Ç

authentic cadence

Á¤°ÝÁ¾Áö

 

B

basic idea

±âÃʾǻó

Á¤ÀÇ :

 

C

cadential

Á¾Áö(Àû)

cadential arrival

Á¾ÁöÀû µµ´Þ

cadential expansion

Á¾ÁöÀû È®Àå

cadential function

Á¾ÁöÀû ±â´É

cadential phrase

Á¾Áö±¸

cadential progression

Á¾ÁöÀû (È­¼º)ÁøÇà

characteristic melody

Ư¡Àû ¼±À²

characteristic motive

Ư¡Àû ¸ðƼºê

closing gesture

Á¾°áÁ¦½ºÃÄ

closing section

Á¾°áºÎ

codetta

ÄÚµ¥Å¸

complete cadential progression

¿ÏÀüÁ¾ÁöÁøÇà

 

compound basic idea

º¹ÇÕ±âÃʾǻó

Á¤ÀÇ :  ????  (Caplin)

compound theme

º¹ÇÕÁÖÁ¦Çü

Á¤ÀÇ :  ????  (Caplin)

compressed continuation

¾ÐÃàµÈ Àü°³±¸

 

compressed recapitulation

¾ÐÃàµÈ ÀçÇöºÎ

 

consequent phrase

Èļӱ¸

continuation ¢¡cadential

Àü°³ ¢¡ Á¾Áö

Á¤ÀÇ :  ????  (Caplin)

continuation

Àü°³

continuation function

Àü°³±â´É

Á¤ÀÇ :  ????  (Caplin)

continuation phrase

Àü°³±¸

Á¤ÀÇ :  ????  (Caplin)

contrasting idea

´ëÁ¶¾Ç»ó

 

contrasting middle

´ëÁ¶Àû Áß¾ÓºÎ

Á¤ÀÇ :  ????  (Caplin)

conventional melody

ÀüÅëÀû ¼±À²

conventional motive

ÀüÅëÀû ¸ðƼºê

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

D

dominant arrival

µþ¸²È­À½ÀÇ µµ´Þ

Á¤ÀÇ :  ????  (Caplin)

durational value

À½°¡

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

E

elide

»ý·«

elision

»ý·«

elided cadence

»ý·«Á¾Áö

evaded cadence

ȸÇÇÁ¾Áö

exact repetition

ÁøÁ¤¹Ýº¹

Á¤ÀÇ :  ????  (Caplin)

expanded recapitulation

È®ÀåµÈ ÀçÇöºÎ

expansion

È®Àå

exposition

Á¦½ÃºÎ

extension

¿¬Àå

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

F

formal function

Çü½ÄÀû ¿ä¼Ò

fragment

´ÜÆí

fragmentation

´ÜÆíÈ­

fragmented unit

´ÜÆíÈ­µÈ ´ÜÀ§

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

G

grouping

±×·ìÇÎ

grouping structure

±×·ìÇα¸Á¶

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

H

Half Cadence (HC)

¹ÝÁ¾Áö

harmonic acceleration

È­¼ºÀû °¡¼ÓÈ­

harmonic activity

È­¼ºÈ°µ¿

harmonic rhythm

È­¼º¸®µë

harmonic sequence

È­¼ºÀû µ¿ÇüÁøÇà

highter-level unit

»óÀ§Ãþ ´ÜÀ§

hybrid theme

È¥¿ëÁÖÁ¦Çü

Á¤ÀÇ :  ????  (Caplin)

 

 

 

 

 

 

 

 

 

I

idea unit

¾Ç»ó´ÜÀ§

Imperfect Authentic Cadence (IAC)

ºÒ¿ÏÀüÁ¤°ÝÁ¾Áö

incomplete cadential progression

ºÒ¿ÏÀüÁ¾ÁöÁøÇà

interpolation

»ðÀÔ

intervallic content

À½Á¤³»¿ë

intrathematic function

³»ºÎÁ¾ÁöÀû ±â´É

introduction

µµÀÔºÎ

 

 

 

 

 

J

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

K

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

L

lead-in

¿¬°á±¸

leap

µµ¾àÁøÇà

level of the idea unit

¾Ç»ó´ÜÀ§ÀÇ Ãþ

liquidation

(¼±À²Àû/¸ðƼºêÀû) Á¦°Å

loose organization

´À½¼ÇÑ ±¸Á¶(??)

Á¤ÀÇ :  ????  (Caplin)

lower-level unit

ÇÏÀ§Ãþ´ÜÀ§

 

 

 

 

 

 

 

 

 

 

 

M

main theme

Á¦1ÁÖÁ¦

melodic closing down

¼±À²Àû ¡°´ÝÈû¡±

melodic contour

¼±À²À±°û

melodic opening up

¼±À²Àû ¡°¿­¸²¡±

model form

(ÁÖÁ¦ÀÇ) ¸ðÇü

model sequential technique

µ¿Çü±â¹ý

modulating period

Á¶¹Ù²Þ¾ÇÀý

modulating sentence

Á¶¹Ù²Þ¼¾ÅÙ½º

 

motive

¸ðƼºê

motivic connection

µ¿±âÀû °ü·Ã¼º

multiple thematic unit

´ÙÁßÁÖÁ¦´ÜÀ§

Á¤ÀÇ :  ????  (Caplin)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

N

notated measure

±âº¸µÈ ¸¶µð

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

O

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

P

Perfect Authentic Cadence (PAC)

¿ÏÀüÁ¤°ÝÁ¾Áö

period

¾ÇÀý

phrase

¾Ç±¸

pitch closure

À½°íÀÇ Á¾°á

postcadential function

Á¾ÁöÈĺÎÀû±â´É

Á¤ÀÇ :  ????  (Caplin)

postcadential standing on the dominant

Á¾ÁöÈĺÎÀû µþ¸²È­À½ÀÇ Áö¼Ó

Á¤ÀÇ :  ????  (Caplin)

premature dominant arrival

½Ã±â»óÁ¶ÀÇ µþ¸²È­À½ÀÇ µµ´Þ

Á¤ÀÇ :  ????  (Caplin)

presentation

Áø¼ú

presentation function

Áø¼ú±â´É

Á¤ÀÇ :  ????  (Caplin)

presentation phrase

Áø¼ú±¸

Á¤ÀÇ :  ????  (Caplin)

prolongational progression

¿¬ÀåÀû ÁøÇà

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Q

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

R

real measure

½ÇÁ¦¸¶µð

recapitulation

ÀçÇöºÎ

repetition

¹Ýº¹

retransition

Àç°æ°úºÎ

rhythmic activity

¸®µëȰµ¿

rounded binary form

¼øÈ¯2ºÎºÐÇü½Ä

 

 

 

 

 

 

 

 

 

 

 

S

segment

ºÐÀý

sentence

¼¾ÅÙ½º

Á¤ÀÇ :  ????  (Caplin)

sequential harmony

µ¿ÇüÀû È­¼º

sequential progression

µ¿ÇüÀû ÁøÇà

sequential repetition

µ¿ÇüÀû ¹Ýº¹

sequential restatement

µ¿ÇüÀû ÀçÁø¼ú

single phrase

´ÜÀϾDZ¸

small binary

2ºÎºÐÁÖÁ¦Çü½Ä

Á¤ÀÇ :  ????  (Caplin)

smally ternary

3ºÎºÐÁÖÁ¦Çü½Ä

Á¤ÀÇ :  ????  (Caplin)

standing on the dominant

µþ¸²È­À½ÀÇ Áö¼Ó

Á¤ÀÇ :  ????  (Caplin)

statement-response repetition

Áø¼ú-ÀÀ´äÇü ¹Ýº¹

Á¤ÀÇ :  ????  (Caplin)

step

(¼±À²Àû) ¼øÂ÷ÁøÇà

subordinate key

°ü°èÁ¶

subordinate theme

Á¦2ÁÖÁ¦

symmetrical organization

´ëĪÀû ±¸Á¶

syntax

(À½¾ÇÀû) ±¸¹®·Ð

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

T

Theme

ÁÖÁ¦

tight-knit organization

Á¤ÇüÈ­µÈ ±¸Á¶(?)

Á¤ÀÇ :  ????  (Caplin)

tonal adjustment

Á¶¼ºÀû Á¶Á¤

tonic prolongation

À¸¶äÈ­À½ÀÇ ¿¬Àå

transition

°æ°ú±¸

 

 

 

 

 

 

 

 

 

 

 

 

 

U

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

V

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

W

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

X

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Y

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Z