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ÇÑ/¿µ(µ¶•ºÒ•ÀÌ) À½¾Ç¿ë¾î ¸ñ·Ï |
º¯ÇüÀÌ·Ð (Transformation Theory) |
ÀÛ¼º : ¾È ¼Ò ¿µ |
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¿ë¾î¸¦ °Ë»öÇÒ ¼ö ÀÖ½À´Ï´Ù.
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F¸¦ ´©¸¥ ÈÄ, °Ë»öÇÒ ´Ü¾î(ÇÑ±Û È¤Àº ¿µ¾î)¸¦ ÀÔ·ÂÇÏ½Ã¸é µË´Ï´Ù.
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¿µ¾î¿ë¾î |
Çѱ۹ø¿ª¿ë¾î |
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A |
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acoustic mirror |
À½ÇâÀû ¹Ý»ç |
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algebra |
´ë¼öÇÐ |
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associativity |
°áÇÕ¹ýÄ¢ |
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asymmetrical trichrods |
ºñ´ëĪ3À½±º |
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B |
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C |
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closed cycle |
´ÝÇôÁø »çÀÌŬ |
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closure |
´ÝÈû |
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common-tone maximization |
ÃÖ´ëÇÑÀÇ °øÅëÀ½ |
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contextual inversion |
¹®¸Æ»óÀÇ Àüȸ |
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contextual transformation |
¹®¸Æ»óÀÇ º¯Çü |
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cube dance |
Å¥ºê´í½º |
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D |
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Directed Voice-Leading Sum (DVLS) |
¼ººÎÁøÇàÇÕ°è°ª |
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Dominant operation (DOM) |
µþ¸²À½ º¯Çü |
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Doppelterzwechsel |
Àå3µµÀÇ ÀÌÁߺ¤½½ |
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dual inversion |
ÀÌ¿øÀû ±¸Á¶ÀÇ Àüȸ |
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dualistic root |
ÀÌ¿ø·ÐÀû ±ÙÀ½ |
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E |
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F |
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flip-flop circle |
Çø³Ç÷ӻçÀÌŬ |
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fundamental tone |
¿øÀ½ |
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G |
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Ganzton |
Àå2µµ |
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Gegen- progression |
¿ªÁøÇà |
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Gegen Schritt progression |
¿ªÁøÇà ½¬¸´ |
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Gegen Wechsel progression |
¿ªÁøÇà º¤½½ |
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Generalized Interval System (GIS) |
ÀϹÝÈµÈ °£°Ýü°è |
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group |
±×·ì |
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group theory |
±×·ìÀÌ·Ð |
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H |
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harmonic cycle |
ȼº»çÀÌŬ |
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harmonic dualism |
ȼºÀû ÀÌ¿ø·Ð |
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Hemiltonian cycle |
Çì¹ÐÅä´Ï¾È»çÀÌŬ |
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hexatonic system |
Çí»çÅä´Ð½Ã½ºÅÛ |
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hyper-Hexatonic
system |
ÇÏÀÌÆÛÇí»çÅä´Ð½Ã½ºÅÛ |
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I |
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identity (IDENT) |
Ç×µî¿ø |
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inverse |
¿ª¿ø |
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inversion transforamtion
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Àüȸº¯Çü |
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inversion |
Àüȸ |
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involution |
°ÅµìÁ¦°ö¹ý |
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isographic |
µ¿Çü±×·¡ÇÁÀû |
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isographic network |
µ¿Çü±×·¡ÇÁÀû ³×Æ®¿öÅ© |
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isography |
µ¿Çü±×·¡ÇÁ |
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J |
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K |
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Klang |
ÇùÈ3ÈÀ½ |
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Kleinterz |
´Ü3µµ |
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Klumpenhouwer network (K-net) |
Ŭ·³ÆæÇÏ¿ì¾î ³×Æ®¿öÅ© (K-³×Æ®) |
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L |
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Leitton |
´Ü2µµ |
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Leittonwechsel |
¶óÀÌÆ®Å溤½½ |
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M |
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Maximally Smooth Cycle (MS Cycle) |
ÃÖ´ëÀ¯¿¬»çÀÌŬ |
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mediant operation (MED) |
°¡¿ÂÀ½ º¯Çü |
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Mediant-Dominant Inversion (MDINV) |
°¡¿Â-µþ¸²À½ ÀüȸÇü |
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mode-altering |
¸ðµåÀüȯ |
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musical space |
À½¾ÇÀû °ø°£ |
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N |
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negative isography |
À½¼ºµ¿Çü±×·¡ÇÁ |
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neo-Riemannian theory |
³×¿À¸®¸¸ÀÌ·Ð |
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network isomorphism |
µ¿ÁúÀû ³×Æ®¿öÅ© |
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O |
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octatonic system |
¿ÁŸÅä´Ð½Ã½ºÅÛ |
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opened cycle |
¿·ÁÁø »çÀÌŬ |
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operation |
¿¬»ê |
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overtone series |
¹èÀ½·Ä |
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overtone |
¹èÀ½ |
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P |
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parallel |
ÆÐ·¯·² |
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parsimonious voice leading |
ÃÖ´ë±ÙÁ¢¼ººÎÁøÇà |
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P-cycle |
P-»çÀÌŬ |
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PLR loop |
PLR ¼øÈ¯°í¸®, PLR »çÀÌŬ |
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positive isography
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¾ç¼ºµ¿Çü±×·¡ÇÁ |
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power tower |
ÆÄ¿öŸ¿ö |
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Q |
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Quint |
5µµ |
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R |
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relative |
·¼·¯Æ¼ºê |
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Riemann system |
¸®¸¸½Ã½ºÅÛ |
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S |
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Schlicht progression |
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Schlicht Schritt progression |
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Schlicht Wechsel progression |
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Schritt |
½¬¸´ |
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Schritt/Wechsel |
½¬¸´/º¤½½ |
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Schritt/Wechsel transformation |
½¬¸´/º¤½½º¯Çü |
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Seitenwechsel |
±âº»º¤½½ |
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semi-group |
ÇÏÀ§±×·ì |
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serial transformation |
À½·Äº¯Çü |
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shift transformation |
À̵¿º¯Çü |
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Shlicht progression |
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slide |
½½¶óÀ̵å |
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subdominant operation (SUBD) |
¹ö±Ýµþ¸²À½ º¯Çü |
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submediant operation (SUBM)) |
¹ö±Ý°¡¿ÂÀ½ º¯Çü |
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T |
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Terz |
Àå3µµ |
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three-dimensional Tonnetz
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3Â÷¿øÀû Åæ³×Ã÷ |
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Tonic-Dominant INVersion
(TDINV) |
À¸¶ä-µþ¸²À½ÀüȸÇü |
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Tonic-Mediant
INVersion (TMINV) |
À¸¶ä-°¡¿ÂÀ½ÀüȸÇü |
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Tonnetz |
Åæ³×Ã÷ |
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transformation |
º¯Çü |
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transformation graph |
º¯Çü±×·¡ÇÁ |
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transformation network |
º¯Çü³×Æ®¿öÅ© |
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transformation(al) theory |
º¯ÇüÀÌ·Ð |
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transformation |
º¯Çü |
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transformational voice leading |
º¯ÇüÀû ¼ººÎÁøÇà |
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transposition |
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triadic transformation |
ȼºº¯Çü |
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Tritonus |
Áõ4µµ |
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two-dimensional Tonnetz |
ÀÌÂ÷¿øÀû Åä³Ý |
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U |
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undertone series |
ÇϹèÀ½·Ä |
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undertone |
ÇϹèÀ½ |
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V |
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Voice-Leading Efficiency (VLE) |
¼ººÎÁøÇàÈ¿À²µµ |
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voice-leading measurement |
¼ººÎÁøÇàÃøÁ¤±â¹ý |
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W |
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Wechsel |
º¤½½ |
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Weitzmann Region |
¹ÙÀÌÂ길 ¿µ¿ª |
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X |
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Y |
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Z |
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